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Whether the work is contemporary fiction or young adult literature, Alyssa Bresnahan's performances sing with a vibrancy reflecting her keen understanding of the text. For the seven years she has been working in audiobooks, she has delivered some difficult works, like Carol Shields's Pulitzer Prize-winning THE STONE DIARIES, with consummate skill. She can tease out textual nuances and give listeners a clear window to the author's vision.
In preparing to record a book, Alyssa tries to understand the rhythm of each author. Using an analogy that reflects her dancer's training, she says, "I want to figure out the choreography of each author's sound." Recorded Books producer Claudia Howard remarks on Alyssa's success with young adult titles. "She has a great comedic sense and an ability to convey a wide-eyed discovery of the world that just connects with that audience." Narrating the recent recording of WHITE OLEANDER, Alyssa marveled at author Janet Fitch's ability to paint a whole picture with one sentence. Alyssa sees herself--her voice--as a paintbrush delivering a picture to the listener. Good writing always gives the narrator more to work with, but Alyssa notes a paradox: "The better the writing is, the more you can leave it alone."
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